• The fact that Microsoft Word has to be a subscription is upsetting. I already paid for it why do I have to pay again

  • Yes please be mad about it, genuinely- You used to be able to purchase a single disk to install it and use it forever after that initial purchase of one key. It sickens me to see all this stuff which used to be a one time purchase be shunted under a subscription now.

  • THIS

  • "Why is pirating going back up?!"

    This. This is why. People don't mind paying a high price for software if it's only the once, or every 4-5 years.

    But having to pay a high price regularly? Especially in the cases where you lose access to your own work if you don't?

    That's why people are pirating software.

  • It’s possible to buy a non-subscription version of Word; Microsoft just intentionally makes it very difficult to find (and also expensive).

    However, I know a guy who knows a guy website: MS Office Pro for $50. If the link starts going to a Page Not Found, just search the site; they usually have some form of this sale available. 

    Worth noting: while $50 is still more money than $yo-ho-ho, that money is a great way to make VERY clear to Microsoft that we DO want one-time-purchase products, not subscriptions.

  • My laptop just died. If it can't be fixed and I need to replace it, this post is gonna be a real life saver, because my family has been sharing an old version of Word that came with a limited number of lifetime licenses, and we're fresh out.

  • https://www.libreoffice.org/download/download-libreoffice/

    Get LibreOffice. It's fully compatible with MS Office, but it's free and open source. You're welcome. :-)

  • Horses: Since There Seems To Be A Knowledge Gap

    I'm going to go ahead and preface this with: I comment pretty regularly on clips and photos featuring horses and horseback riding, often answering questions or providing explanations for how or why certain things are done. I was a stable hand and barrel racer growing up, and during my 11 year tenure on tumblr, Professional Horse Commentary is a very niche, yet very necessary, subject that needs filling. Here are some of the literary and creative gaps I've noticed in well meaning (and very good!) creators trying to portray horses and riding realistically that... well, most of you don't seem to even be aware of, because you wouldn't know unless you worked with horses directly!

    Some Of The Most Common Horse + Riding Mistakes I See:

    -Anybody can ride any horse if you hold on tight enough/have ridden once before.

    Nope. No, no, no, no, aaaaaaaand, no. Horseback riding has, historically, been treated as a life skill taught from surprisingly young ages. It wasn't unusual in the pre-vehicular eras to start teaching children as young as 4 to begin to ride, because horses don't come with airbags, and every horse is different. For most adults, it can take months or years of regular lessons to learn to ride well in the saddle, and that's just riding; not working or practicing a sport.

    Furthermore, horses often reject riders they don't know. Unless a horse has been trained like a teaching horse, which is taught to tolerate riders of all skill and experience levels, it will take extreme issue with having some random person try to climb on their back. Royalty, nobility, and the knighted classes are commonly associated with the "having a favorite special horse" trope, because it's true! Just like you can have a particularly special bond with a pet or service animal that verges on parental, the same can apply with horses. Happy horses love their owners/riders, and will straight-up do their best to murder anyone that tries to ride them without permission.

    -Horses are stupid/have no personality.

    There isn't a more dangerous assumption to make than assuming a horse is stupid. Every horse has a unique personality, with traits that can be consistent between breeds (again, like cat and dog breeds often have distinct behavior traits associated with them), but those traits manifest differently from animal to animal.

    My mother had an Arabian horse, Zipper, that hated being kicked as a signal to gallop. One day, her mom and stepdad had a particularly unpleasant visitor; an older gentleman that insisted on riding Zipper, but refused to listen to my mother's warnings never to kick him. "Kicking" constitutes hitting the horse's side(s) with your heels, whether you have spurs on or not. Most horses only need a gentle squeeze to know what you want them to do.

    Anyway, Zipper made eye-contact with my mom, asking for permission. He understood what she meant when she nodded at him. He proceeded to give this asshole of a rider road rash on the side of the paddock fence and sent him to the emergency room. He wouldn't have done it if he didn't have the permission from the rider he respected, and was intelligent enough to ask, "mind if I teach this guy a lesson?" with his eyes, and understand, "Go for it, buddy," from my mom in return.

    -Riding bareback is possible to do if you hold onto the horse's mane really tight.

    Riding a horse bareback (with no saddle, stirrups, or traditional harness around the horse's head) is unbelievably difficult to learn, particularly have testicles and value keeping them. Even professional riders and equestrians find ourselves relying on tack (the stuff you put on a horse to ride it) to stay stable on our horses, even if we've been riding that particular horse for years and have a very positive, trusting relationship.

    Horses sweat like people do. The more they run, the more their hair saturates with sweat and makes staying seated on them slippery. Hell, an overworked horse can sweat so heavily that the saddle slips off its back. It's also essential to brush and bathe a horse before it's ridden in order to keep it healthier, so their hair is often quite slick from either being very clean or very damp. In order to ride like that, you have to develop the ability to synchronize your entire body's rhythm's with the rhythm of the horse's body beneath you, and quite literally move as one. Without stirrups, most people can't do it, and some people can never master bareback riding no matter how many years they spend trying to learn.

    -You can be distracted and make casual conversation while a horse is standing untethered in the middle of a barn or field.

    At every barn I've ever worked at, it's been standard practice with every single horse, regardless of age or temperament, to secure their heads while they're being tacked up or tacked down. The secures for doing this are simple ropes with clips that are designed to attach to the horse's halter (the headwear for a horse that isn't being ridden; they have no bit that goes in the horse's mouth, and no reins for a rider to hold) on metal O rings on either side of the horse's head. This is not distressing to the horse, because we give them plenty of slack to turn their heads and look around comfortably.

    The problem with trying to tack up an unrestrained horse while chatting with fellow stable hands or riders is that horses know when you're distracted! And they often try to get away with stuff when they know you're not looking! In a barn, a horse often knows where the food is stored, and will often try to tiptoe off to sneak into the feed room.

    Horses that get into the feed room are often at a high risk of dying. While extremely intelligent, they don't have the ability to throw up, and they don't have the ability to tell that their stomach is full and should stop eating. Allowing a horse into a feed/grain room WILL allow it to eat itself to death.

    Other common woes stable hands and riders deal with when trying to handle a horse with an unrestrained head is getting bitten! Horses express affection between members of their own herd, and those they consider friends and family, through nibbling and surprisingly rough biting. It's not called "horseplay" for nothing, because during my years working with horses out in the pasture, it wasn't uncommon at all for me to find individuals with bloody bite marks on their withers (that high part on the middle of the back of their shoulders most people instinctively reach for when they try to get up), and on their backsides. I've been love-bitten by horses before, and while flattering, they hurt like hell on fleshy human skin.

    So, for the safety of the horse, and everybody else, always make a show of somehow controlling the animal's head when hands-on and on the ground with them.

    -Big Horse = War Horse

    Startlingly, the opposite is usually the case! Draft and carriage horses, like Percherons and Friesians, were never meant to be used in warfare. Draft horses are usually bred to be extremely even-tempered, hard to spook, and trustworthy around small children and animals. Historically, they're the tractors of the farm if you could afford to upgrade from oxen, and were never built to be fast or agile in a battlefield situation.

    More importantly, just because a horse is imposing and huge doesn't make it a good candidate for carrying heavy weights. A real thing that I had to be part of enforcing when I worked at a teaching ranch was a weight limit. Yeah, it felt shitty to tell people they couldn't ride because we didn't have any horses strong enough to carry them due to their weight, but it's a matter of the animal's safety. A big/tall/chonky horse is more likely to be built to pull heavy loads, but not carry them flat on their spines. Horses' muscular power is predominantly in their ability to run and pull things, and too heavy a rider can literally break a horse's spine and force us to euthanize it.

    Some of the best war horses out there are from the "hot blood" family. Hot blooded horses are often from dry, hot, arid climates, are very small and slight (such as Arabian horses), and are notoriously fickle and flighty. They're also a lot more likely to paw/bite/kick when spooked, and have even sometimes been historically trained to fight alongside their rider if their rider is dismounted in combat; kicking and rearing to keep other soldiers at a distance.

    -Any horse can be ridden if it likes you enough.

    Just like it can take a lifetime to learn to ride easily, it can take a lifetime of training for a horse to comfortably take to being ridden or taking part in a job, like pulling a carriage. Much like service animals, horses are typically trained from extremely young ages to be reared into the job that's given to them, and an adult horse with no experience carrying a rider is going to be just as scared as a rider who's never actually ridden a horse.

    Just as well, the process of tacking up a horse isn't always the most comfortable experience for the horse. To keep the saddle centered on the horse's back when moving at rough or fast paces, it's essential to tighten the belly strap (cinch) of the saddle as tightly as possible around the horse's belly. For the horse, it's like wearing a tight corset, chafes, and even leaves indents in their skin afterward that they love having rinsed with water and scratched. Some horses will learn to inflate their bellies while you're tightening the cinch so you can't get it as tight as it needs to be, and then exhale when they think you're done tightening it.

    When you're working with a horse wearing a bridle, especially one with a bit, it can be a shocking sensory experience to a horse that's never used a bit before. While they lack a set of teeth naturally, so the bit doesn't actually hurt them, imagine having a metal rod shoved in your mouth horizontally! Unless you understand why it's important for the person you care about not dying, you'd be pretty pissed about having to keep it in there!

    -Horseback riding isn't exercise.

    If you're not using every muscle in your body to ride with, you're not doing it right.

    Riding requires every ounce of muscle control you have in your entire body - although this doesn't mean it wasn't realistic for people with fat bodies to stay their weight while also being avid riders; it doesn't mean the muscles aren't there. To stay on the horse, you need to learn how it feels when it moves at different gaits (walk, trot, canter, gallop), how to instruct it to switch leads (dominant legs; essential for precise turning and ease of communication between you and the horse), and not falling off. While good riders look like they're barely moving at all, that's only because they're good riders. They know how to move so seamlessly with the horse, feeling their movements like their own, that they can compensate with their legs and waists to not bounce out of the saddle altogether or slide off to one side. I guarantee if you ride a horse longer than 30 minutes for the first time, your legs alone will barely work and feel like rubber.

    -Horses aren't affectionate.

    Horses are extraordinarily affectionate toward the right people. As prey animals, they're usually wary of people they don't know, or have only recently met. They also - again, like service animals - have a "work mode" and a "casual mode" depending upon what they're doing at the time. Horses will give kisses like puppies, wiggle their upper lips on your hair/arms to groom you, lean into neck-hugs, and even cuddle in their pasture or stall if it's time to nap and you join them by leaning against their sides. If they see you coming up from afar and are excited to see you, they'll whinny and squeal while galloping to meet you at the gate. They'll deliberately swat you with their tails to tease you, and will often follow you around the pasture if they're allowed to regardless of what you're up to.

    -Riding crops are cruel.

    Only cruel people use riding crops to hurt their horses. Spurs? I personally object to, because any horse that knows you well doesn't need something sharp jabbing them in the side for emphasis when you're trying to tell them where you want them to go. Crops? Are genuinely harmless tools used for signalling a horse.

    I mean, think about it. Why would crops be inherently cruel instruments if you need to trust a horse not to be afraid of you and throw you off when you're riding it?

    Crops are best used just to lightly tap on the left or right flank of the horse, and aren't universally used with all forms of riding. You'll mainly see crops used with English riding, and they're just tools for communicating with the horse without needing to speak.

    -There's only one way to ride a horse.

    Not. At. All. At most teaching ranches, you'll get two options: Western, or English, because they tend to be the most popular for shows and also the most common to find equipment for. English riding uses a thinner, smaller saddle, narrower stirrups, and much thinner bridles. I, personally, didn't like English style riding because I never felt very stable in such a thin saddle with such small stirrups, and didn't start learning until my mid teens. English style riding tends to focus more on your posture and deportment in the saddle, and your ability to show off your stability and apparent immovability on the horse. It was generally just a bit too stiff and formal for me.

    Western style riding utilizes heavier bridles, bigger saddles (with the iconic horn on the front), and broader stirrups. Like its name may suggest, Western riding is more about figuring out how to be steady in the saddle while going fast and being mobile with your upper body. Western style riding is generally the style preferred for working-type shows, such as horseback archery, gunning, barrel racing, and even rodeo riding.

    -Wealthy horse owners have no relationship with their horses.

    This is loosely untrue, but I've seen cases where it is. Basically, horses need to feel like they're working for someone that matters to them in order to behave well with a rider and not get impatient or bored. While it's common for people to board horses at off-property ranches (boarding ranches) for cost and space purposes, it's been historically the truth that having help is usually necessary with horses at some point. What matters is who spends the most time with the animal treating it like a living being, rather than a mode of transport or a tool. There's no harm in stable hands handling the daily upkeep; hay bales and water buckets are heavy, and we're there to profit off the labor you don't want or have the time to do. You get up early to go to work; we get up early to look after your horses. Good owners/boarders visit often and spend as much of their spare time as they can with spending quality work and playtime with their horses. Otherwise, the horses look to the stable hands for emotional support and care.

    So, maybe you're writing a knight that doesn't really care much for looking after his horse, but his squire is really dedicated to keeping up with it? There's a better chance of the horse having a more affectionate relationship with the squire thanks to the time the squire spends on looking after it, while the horse is more likely to tolerate the knight that owns it as being a source of discipline if it misbehaves. That doesn't mean the knight is its favorite person. When it comes to horses, their love must be earned, and you can only earn it by spending time with them hands-on.

    -Horses can graze anywhere without concern.

    This is a mistake that results in a lot of premature deaths! A big part of the cost of owning a horse - even before you buy one - is having the property that will be its pasture assessed for poisonous plants, and having those plants removed from being within the animal's reach. This is an essential part of farm upkeep every year, because horses really can't tell what's toxic and what isn't. One of the reasons it's essential to secure a horse when you aren't riding it is to ensure it only has a very limited range to graze on, and it's your responsibility as the owner/rider to know how to identify dangerous plants and keep your horses away from them.

    There's probably more. AMA in my askbox if you have any questions, but that's all for now. Happy writing.

  • I don't know if you've done this before but what are some good ways to describe speech?

  • Ways to Describe Speech

    -> feel free to edit and adjust pronouns as you see fit.

    • His voice was deep like the rumbling of the earth.
    • She had the voice of a singer, smooth and rich like chocolate.
    • Their voice reminded him of spring rain.
    • He often paused in his speaking, like a car radio that had lost signal.
    • She had a lilt to her voice that made it seem like she was asking a question.
    • Their voice was monotonous, threatening to put her to sleep with every word.
    • He couldn’t put her voice into words. It was… otherworldly.
    • Her voice was brittle, as if she were on the verge of tears.
    • Their voice was authoritative. Their words carried like a loud command.
    • His voice, unapologetic and unwavering, made her shrink back.
    • Her voice was barely above a whisper.
    • Their words were cold with anger.

    Other Words to Use to Describe Voice:

    • Firm
    • Formal
    • Frank
    • Hesitant
    • Humorous
    • Passionate
    • Playful

    Keep reading

  • Writing Tips - Beating Perfectionism

    1. Recognising writing perfectionism. It’s not usually as literal as “This isn’t 100% perfect and so it is the worst thing ever”, in my experience it usually sneaks up more subtly. Things like where you should probably be continuing on but if you don’t figure out how to word this paragraph better it’s just going to bug you the whole time, or where you’re growing demotivated because you don’t know how to describe the scene 100% exactly as you can imagine it in your head, or things along those lines where your desire to be exact can get in the way of progression. In isolated scenarios this is natural, but if it’s regularly and notably impacting your progress then there’s a more pressing issue

    2. Write now, edit later. Easier said than done, which always infuriated me until I worked out how it translates into practice; you need to recognise what the purpose of this stage of the writing process is and when editing will hinder you more than help you. Anything up to and including your first draft is purely done for structural and creative purposes, and trying to impose perfection on a creative process will naturally stifle said creativity. Creativity demands the freedom of imperfection

    3. Perfection is stagnant. We all know that we have to give our characters flaws and challenges to overcome since, otherwise, there’s no room for growth or conflict or plot, and it ends up being boring and predictable at best - and it’s just the same as your writing. Say you wrote the absolute perfect book; the perfect plot, the perfect characters, the perfect arcs, the perfect ending, etc etc. It’s an overnight bestseller and you’re discussed as a literary great for all time. Everyone, even those outside of your target demographic, call it the perfect book. Not only would that first require you to turn the perfect book into something objective, which is impossible, but it would also mean that you would either never write again, because you can never do better than your perfect book, or you’ll always write the exact same thing in the exact same way to ensure constant perfection. It’s repetitive, it’s boring, and all in all it’s just fearful behaviour meant to protect you from criticism that you aren’t used to, rather than allowing yourself to get acclimated to less than purely positive feedback

    4. Faulty comparisons. Comparing your writing to that of a published author’s is great from an analytical perspective, but it can easily just become a case of “Their work is so much better, mine sucks, I’ll never be as good as them or as good as any ‘real’ writer”. You need to remember that you’re comparing a completely finished draft, which likely underwent at least three major edits and could have even had upwards of ten, to wherever it is you’re at. A surprising number of people compare their *first* draft to a finished product, which is insanity when you think of it that way; it seems so obvious from this perspective why your first attempt isn’t as good as their tenth. You also end up comparing your ability to describe the images in your head to their ability to craft a new image in your head; I guarantee you that the image the author came up with isn’t the one their readers have, and they’re kicking themselves for not being able to get it exactly as they themselves imagine it. Only the author knows what image they’re working off of; the readers don’t, and they can imagine their own variation which is just as amazing

    5. Up close and too personal. Expanding on the last point, just in general it’s harder to describe something in coherent words than it is to process it when someone else prompts you to do so. You end up frustrated and going over it a gazillion times, even to the point where words don’t even look like words anymore. You’ve got this perfect vision of how the whole story is supposed to go, and when you very understandably can’t flawlessly translate every single minute detail to your satisfaction, it’s demotivating. You’re emotionally attached to this perfect version that can’t ever be fully articulated through any other medium. But on the other hand, when consuming other media that you didn’t have a hand in creating, you’re viewing it with perfectly fresh eyes; you have no ‘perfect ideal’ of how everything is supposed to look and feel and be, so the images the final product conjures up become that idealised version - its no wonder why it always feels like every writer except you can pull off their visions when your writing is the only one you have such rigorous preconceived notions of

    6. That’s entertainment. Of course writing can be stressful and draining and frustrating and all other sorts of nasty things, but if overall you can’t say that you ultimately enjoy it, you’re not writing for the right reasons. You’ll never take true pride in your work if it only brings you misery. Take a step back, figure out what you can do to make things more fun for you - or at least less like a chore - and work from there

    7. Write for yourself. One of the things that most gets to me when writing is “If this was found and read by someone I know, how would that feel?”, which has lead me on multiple occasions to backtrack and try to be less cringe or less weird or less preachy or whatever else. It’s harder to share your work with people you know whose opinions you care about and whose impressions of you have the potential of shifting based on this - sharing it to strangers whose opinions ultimately don’t matter and who you’ll never have to interact with again is somehow a lot less scary because their judgements won’t stick. But allowing the imaginary opinions of others to dictate not even your finished project, but your unmoderated creative process in general? Nobody is going to see this without your say so; this is not the time to be fussing over how others may perceive your writing. The only opinion that matters at this stage is your own

    8. Redirection. Instead of focusing on quality, focusing on quantity has helped me to improve my perfectionism issues; it doesn’t matter if I write twenty paragraphs of complete BS so long as I’ve written twenty paragraphs or something that may or may not be useful later. I can still let myself feel accomplished regardless of quality, and if I later have to throw out whole chapters, so be it

    9. That’s a problem for future me. A lot of people have no idea how to edit, or what to look for when they do so, so having a clear idea of what you want to edit by the time the editing session comes around is gonna be a game-changer once you’re supposed to be editing. Save the clear work for when you’re allocating time for it and you’ll have a much easier and more focused start to the editing process. It’ll be more motivating than staring blankly at the intimidating word count, at least

    10. The application of applications. If all else fails and you’re still going back to edit what you’ve just wrote in some struggle for the perfect writing, there are apps and websites that you can use that physically prevent you from editing your work until you’re done with it. If nothing else, maybe it can help train you away from major edits as you go

  • A Guide to Historically Accurate Regency-Era Names

    image

    I recently received a message from a historical romance writer asking if I knew any good resources for finding historically accurate Regency-era names for their characters.

    Not knowing any off the top of my head, I dug around online a bit and found there really isn’t much out there. The vast majority of search results were Buzzfeed-style listicles which range from accurate-adjacent to really, really, really bad.

    I did find a few blog posts with fairly decent name lists, but noticed that even these have very little indication as to each name’s relative popularity as those statistical breakdowns really don't exist.

    I began writing up a response with this information, but then I (being a research addict who was currently snowed in after a blizzard) thought hey - if there aren’t any good resources out there why not make one myself?

    As I lacked any compiled data to work from, I had to do my own data wrangling on this project. Due to this fact, I limited the scope to what I thought would be the most useful for writers who focus on this era, namely - people of a marriageable age living in the wealthiest areas of London.

    So with this in mind - I went through period records and compiled the names of 25,000 couples who were married in the City of Westminster (which includes Mayfair, St. James and Hyde Park) between 1804 to 1821.

    So let’s see what all that data tells us…

    Keep reading

  • Writeblr Glossary

  • A list of words commonly used in the Writeblr community and their meaning!

    I’ve gotten a lot of questions about what some things mean, so I thought it was time to compile a list of meanings.

    • Writeblr — A community of writers on tumblr; A blog that posts primarily about writing. See here for a more in-depth explanation. (Also written as Writblr on occasion)
    • WIP  — Stands for Work in Progress. Primarily, it’s a piece of fictional work that is still in the writing process and is unfinished. (Also see: WIP page)
    • OC  — Stands for Original Character. This is a character entirely of your own creation.
    • Tag list  — A tag list is a list of users who will be tagged in every post that a Writeblr makes about a certain WIP. It is often included at the bottom of a post, and people are free to ask to be included, or removed from it.
    • WIP Page  — A page or a post on a Writeblr that describes a WIP. Commonly includes a synopsis, setting, characters, etc. See here for what goes in a WIP page and how to make one.
    • Tag games — Tumblr games where people will do something (often answer questions, a snippet of their WIP, etc) and ask other users to participate by using the @ function in that post.
    • Ask games  — A tumblr game where a user will request people to send them things with the ask function. Often times will include a list of questions they wish to be asked.
    • Fanfiction  — Fiction written by a fan about an existing TV show, movie, book, etc. Often features the characters, the setting, etc. of that piece of media.
    • AU  — Stands for Alternate Universe. AUs typically feature the same cast of characters of a WIP or an existing piece of fiction with a major change or two. (For example, a Fantasy AU would involve placing the characters in a fantasy setting. There also may be an AU of what might happen if a certain character didn’t die in their story).
    • Canon  — Material or information that is accepted as an official part of a story. (i.e., the creator confirms it and includes it in their story).
    • Headcanons  — Ideas and interpretations of a fictional work that is accepted by a fan, but isn’t necessarily supported by canon.
    • Moodboard  — A collection of images meant to evoke a certain feeling or emotion. Often used by Writeblrs for their WIPs and OCs.

    Have a word you’d like to see included? Let me know and I’ll add it!

    Have a question on what a writeblr term means? Ask!

  • okay so you’ve talked about mentioning modern day items, products or media in books before, but i wanted to ask about those same things but outside the US or the such as products from (insert third world country here) that ppl in the UK or The US would probably never hear of, because they aren’t locals who grew up in the area like someone like myself has.

    Anonymous asked
  • Mentioning Less Familiar Products or Media

    I’m not sure about the context you’re referring to, because I’ve talked about it in a few different contexts in the past:

    Timelessness - Specific products, businesses, services, and media have a tendency to “date” your story, meaning that they act as a timestamp that lets the reader know when your story takes place. For some stories that’s not an issue, because you want the story to be rooted in a particular time period. For example, maybe you wrote a coming of age story set in the 1980s, so you mention products, media, businesses, etc. that were popular in the 80s. But let’s say you want readers to feel like the story is current, whether they read it in a year or ten years from now. In that case, you wouldn’t want to mention products and media popular today, because ten years from now those things will no longer be popular. This is true regardless of your story’s setting, where you’re from, or where your target audience is from.

    Legalities - You generally want to avoid portraying real businesses, services, products, and people in a negative light, because although the likelihood is probably slim, there’s always a chance they could sue you for harming their image and negatively impacting their income. This is true regardless of your story’s setting, where you’re from, or where your target audience is from.

    Relevance - The products, businesses, services, and media should generally reflect the setting of your story, regardless of where you–the writer–are from, regardless of where the target reader is from. If you’re Nigerian and writing for a Nigerian audience, and you set a story in New York City, the products, businesses, services, and media mentioned in your story should reflect the NYC setting. If your story is set in Nigeria and is written for a western audience, the products, businesses, services, and media should reflect your Nigerian setting. Even if most westerners won’t be familiar with those goods and services.

    I hope that answers your question!

    •••••••••••••••••••••••••••••••••

    I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

    ♦ Questions that violate my ask policies will be deleted!
    ♦ Please see my master list of top posts before asking
    ♦ Learn more about WQA here

  • Idk how many people on here actually follow me for my books, but as I've gotten a few asks from readers:

    I'll be announcing my next book(s) on May 4th 2024 (the 3rd anniversary of Meet Cute Diary) on my Patreon & through my newsletter. Both are free so if you'd like the update, please subscribe to one of the above. I don't know when the announcement will be available on Tumblr generally. Thanks!

  • My only real and valid writing tip is that you google every word you make up for your fantasy stories. That's It

  • there won't be any results though because you just made it up

  • image
  • One time I made up a name for a character and after googling it discovered it was a Zimbabwean slur

  • Listen you’ve got to learn the lesson of Miyazaki’s Laputa: Castle in the Sky. Hayao Miyazaki did not have the benefit of the internet, but you do!

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